Currently: I am re-examining my relationship to my body–that forgotten instrument, a vehicle of my consciousness, an extension of self, my best friend and foe.
Question: How do we acknowledge our body? Recognize it, care for it, and love it with an honest tenderness?
I want to feel before thinking. I want to listen to the song inside myself before I cast judgement and silence it before it even has a chance to whisper.
Dedicated to my mom who taught me how to be brave.
Metadata
- Inspiration: Janelle Monae, femtech, programming languages, children and play, Tokyo and its extremes [hyper futurist-underground-tradition-contemplative-plastic-reservations]
- Places: Ezra’s kitchen counter, Shibuya cafe, alleyways and in-between spaces
- Music: I created the beat “MISSTEP” in London at Ezra’s kitchen counter, surrounded by playful and supportive loved ones. The second beat is “PYNK” by Janelle Monáe (Instrumental Remake By Roam FM).
- Technical: I edited the footage in Final Cut Pro, recorded the song in a tiny Tokyo hotel room using Garage Band. Eric Kim led the cinematography ((Lumix G9Pro + Leica 12mm f.14, 4k 24fps) and was my empowering creative collaborator.
- Poetry: Written in a Shibuya cafe while
- softly gazing at the patterned footwork of pedestrians
- thinking about my mom and her dreams of dancing
- learning python
- sipping overpriced coffee
- tapping my feet to the rhythm of this mysterious city.
MISS READING’S Journey
My current projects MISS meditates on the meaning of all things deemed ‘mis-‘ –wrong, dirty, broken, ‘abnormal.’ From misfits to misreading, misunderstandings to mistakes, MISS/MIS confronts the categorical impulse of labeling things as good/bad, yes/no, men/women, appropriate/not. I pause, ponder, and ask why? Join me on this journey.
Chapter 1: MISSFIT [Recognition]
I am tired of treading softly between glass boundaries of what is considered ‘appropriate.’ I am tired of listening obediently to the voices of Reason, the Future, and Others tell me that I must be more or less. I want to look in the mirror and see myself, not others.
Chapter 2: MISSTEP [Movement]
A celebration of the chaotic sublime of self.
A song in my stomach, twisted into computerized contortions
A wellspring of movement, made mistakenly malicious.The way you make me feel, I make me feel, I make me me.
Seeps out, secretly through the meticulous cracks of caked fears.
“a two-step misstep to the clackety clacks of computer keys”
by Cindy Nguyen (Poem/Lyrics)
Command + A step here.
Control + Zipper. No, zebra. A zigging and zagging and surrender to the zephyr on my cheek.
Option + Alt you. You hilarious tease of forgotten functions.
//
Mavis Beacon, did you say something?
I can’t hear you between the patterned pecks of perfect precision.
Move/Be/Do Here, there. now. Everywhere. Nowhere.
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A song in my stomach, twisted into computerized contortions
A wellspring of movement, made mistakenly malicious.
The way you make me feel, I make me feel, I make me me.
Seeps out, secretly through the meticulous cracks of caked fears.
An
inhale
exhale.
A nod. Then two.
A twitch of the finger
tips of the toes bounce in the tight space between.
>>> spam = ‘A mischievous literary litany’
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A sly smile, a knowing glance
to the Miss Step, who was always there,
here
everywhere
and nowhere.
+++++
—
Shibuya, Tokyo 2018
Written to the rhythm of Dirty Computer, Janelle Monae.