MISREADING

A Feminist Library

STACKS

Conversation Starters and Questions for Vietnamese American Diaspora (Bilingual)

Still from my film “The Undeniable Force of Khó Khăn”

Here is an ongoing list of conversation starters and questions as part of my ongoing #FamilyNotes project. This list is tailored to the Vietnamese American diaspora (questions are in English and Vietnamese). However, many of the questions could be used for all conversations. Thank you to all who have contributed to this list!

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Family Notes

I introduce “Family Notes” Project and read Ba/Father 23:03 at LA Review of Books 2019

Family Notes is a conversation toolkit to help facilitate intergenerational, multilingual conversations between loved ones. Rather than focus on genealogy and the concretizing of capital ‘H’ History, Family Notes welcomes the complexity of language and storytelling: non-linear, mythical-folkloric, creative, iterative, and collaborative. Family Notes Toolkit will include a 1) field notes style booklet, 2) an accompanying website for resources, and 3) ideas and examples of creative projects sparked by the conversations.

While writing and researching Family Notes, I will share resources, working chapters, and media here under posts tagged #FamilyNotes. Follow along here or sign up for the mailing list below.

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Bà Ngoại: A Call and Response

To you Grandmother,
Love your bạn, em, chị, cháu [friend, younger sister, older sister, granddaughter]:

Bà đâu rồi, cháu siêu nhớ bà.
Bà có nhớ cháu của bà không?
[Where are you grandmother? Granddaughter painfully misses you so.
Does grandmother remember her granddaughter?]

And you respond,

Hôm nay tôi mệt quá. Thôi đi về đi, tôi có nhiều việc làm.
[Today I am so tired. Sigh, go home. I’m really busy.]

Today you are tôi and I the distant stranger.

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Imagining ‘America’: My Mother’s Refugee Journey to America

For much of my life I had dreamt of one day writing down my family’s refugee narrative. I had envisioned a beautiful photo, audio, and essay project that would do justice to their story. But I never quite got there.

I would begin to write, transcribe her words, and then weep. Putting into words her refugee story somehow made it real. It was not just a distant tale of heroism, escape, and hope. It was my mother, my family, me, who lived this reality.

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a two-step misstep to the clackety clacks of computer keys

Command + A step here.
Control + Zipper. No, zebra. A zigging and zagging and surrender to the zephyr on my cheek.
Option + Alt you. You hilarious tease of forgotten functions.

//

Mavis Beacon, did you say something?
I can’t hear you between the patterned pecks of perfect precision.
Move/Be/Do Here, there. now. Everywhere. Nowhere.

Boolean
y
n
CAPSLOCK n.o.
Return to

\\

A song in my stomach, twisted into computerized contortions
A wellspring of movement, made mistakenly malicious.

The way you make me feel, I make me feel, I make me me.
Seeps out, secretly through the meticulous cracks of caked fears.

An
inhale
exhale.

A nod. Then two.
A twitch of the finger
tips of the toes bounce in the tight space between.

>>> spam = ‘A mischievous literary litany’
>>> spam

A sly smile, a knowing glance
to the Miss Step, who was always there,
here
everywhere
and nowhere.

+++++

—

Shibuya, Tokyo 2018

Written to the rhythm of Dirty Computer, Janelle Monae.