I had the honor of hosting an artist talkback with Susan Lieu after her show in Boston in November 2019. Check out this inspiring, uplifting, heartwarming, and hilarious artist, and catch Susan’s show “140 lbs” on tour now![Read more…] about Susan Lieu’s “140lbs” and Artist Talkback
Here is an ongoing list of conversation starters and questions as part of my ongoing #FamilyNotes project. This list is tailored to the Vietnamese American diaspora (questions are in English and Vietnamese). However, many of the questions could be used for all conversations. Thank you to all who have contributed to this list![Read more…] about Conversation Starters and Questions for Vietnamese American Diaspora (Bilingual)
Family Notes is a conversation toolkit to help facilitate intergenerational, multilingual conversations between loved ones. Rather than focus on genealogy and the concretizing of capital ‘H’ History, Family Notes welcomes the complexity of language and storytelling: non-linear, mythical-folkloric, creative, iterative, and collaborative. Family Notes Toolkit will include a 1) field notes style booklet, 2) an accompanying website for resources, and 3) ideas and examples of creative projects sparked by the conversations.
While writing and researching Family Notes, I will share resources, working chapters, and media here under posts tagged #FamilyNotes. Follow along here or sign up for the mailing list below.[Read more…] about Family Notes
In 2017 while in Hanoi, I wrote this poem in English about my grandmother. It remained in draft version as I worked on the translation, feeling inadequate and lost. During this month of Black April and remembrance, I remember them both by finally letting it go.
To you Grandmother,
Love your bạn, em, chị, cháu [friend, younger sister, older sister, granddaughter]:
Bà đâu rồi, cháu siêu nhớ bà.
Bà có nhớ cháu của bà không?
[Where are you grandmother? Granddaughter painfully misses you so.
Does grandmother remember her granddaughter?]
And you respond,
Hôm nay tôi mệt quá. Thôi đi về đi, tôi có nhiều việc làm.
[Today I am so tired. Sigh, go home. I’m really busy.]
Today you are tôi and I the distant stranger.
For much of my life I had dreamt of one day writing down my family’s refugee narrative. I had envisioned a beautiful photo, audio, and essay project that would do justice to their story. But I never quite got there.
I would begin to write, transcribe her words, and then weep. Putting into words her refugee story somehow made it real. It was not just a distant tale of heroism, escape, and hope. It was my mother, my family, me, who lived this reality.
Currently: I am re-examining my relationship to my body–that forgotten instrument, a vehicle of my consciousness, an extension of self, my best friend and foe.
Command + A step here.
Control + Zipper. No, zebra. A zigging and zagging and surrender to the zephyr on my cheek.
Option + Alt you. You hilarious tease of forgotten functions.
Mavis Beacon, did you say something?
I can’t hear you between the patterned pecks of perfect precision.
Move/Be/Do Here, there. now. Everywhere. Nowhere.
A song in my stomach, twisted into computerized contortions
A wellspring of movement, made mistakenly malicious.
The way you make me feel, I make me feel, I make me me.
Seeps out, secretly through the meticulous cracks of caked fears.
A nod. Then two.
A twitch of the finger
tips of the toes bounce in the tight space between.
>>> spam = ‘A mischievous literary litany’
A sly smile, a knowing glance
to the Miss Step, who was always there,
Shibuya, Tokyo 2018
Written to the rhythm of Dirty Computer, Janelle Monae.